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antique handpainted ceramic Jug Pitcher, Tichelaar Makkum Holland, 15cm 5.9"

$ 63.35

Availability: 100 in stock
  • Color: Multi-Color
  • All returns accepted: ReturnsNotAccepted
  • Material: Ceramic
  • Condition: very good
  • Height: 15 cm / 5.9 inch
  • Production Technique: Pottery
  • Original/Reproduction: Vintage Original
  • Type: Pitcher
  • Country/Region of Manufacture: Netherlands
  • Manufacturer: Tichelaar Makkum

    Description

    code: TM-AO
    a pretty, vintage decorative Dutch polychrome ceramic
    Jug / Pitcher
    fully handpainted, beautiful underglaze floral decoration
    , with multiple vertical ribs and a curled handle
    made by
    Tichelaar Makkum
    in Friesland, the Netherlands, Holland
    marked in manganese underglaze with the Makkum Tichelaar mark and G.K. 700 and a P.
    condition:
    very good, clean & clear glaze, no cracks, no restoration, a few small chips to the glaze at the foot (see last picture)
    age: 20th Century, we are not able to be more precise
    height: circa 15 cm / circa 5.9 inch
    weight: circa 470 gr.
    -
    please see our other items
    for more Makkum Tichelaar, Delftware and Porceleyne Fles / Royal Delft items -
    for more info on Tichelaar Makkum see more below
    world wide shipping:
    - you will be ordering registrated shipment provided by PostNL from The Netherlands, EU
    - this will be according to the PostNL conditions
    - if possible with tracking, priority and
    insurance offered by PostNL for loss during shipment
    - the shippingcosts differ per country
    - combined shippingcosts by weightcategory: 0-2 / 2-5 / 5-10 kg
    we are: delta 98 den haag
    The Hague, The Netherlands, EU
    registrated at:
    Chambers of Commerce in The Netherlands / KvK Haaglanden: file 27133335
    ceramics from Makkum
    Tichelaar is a Dutch pottery
    company, now called:
    Royal Tichelaar Makkum / Koninklijke Tichelaar
    Makkum,
    was established in 1572 in Makkum, a village situated on the banks of the IJsselmeer / Lake IJssel, a lake since 1932, but before it was sea: the Zuiderzee / Southern Sea, in the northern Dutch province Friesland of The Netherlands
    .
    After initially producing bricks
    and later pottery and tiles
    , the company has focused on traditional decorative pottery since 1890. As the company in Makkum has always made ceramics, Tichelaar Makkum is regarded as one of the oldest companies in the Netherlands
    .
    History:
    In 1960, the company received the designation
    Koninklijk
    (Royal), on the occasion of its 300th anniversary. Later research showed that the company had been active even earlier and it celebrated its 400th anniversary in 1994, on the basis of the results of historical research. In 2007, documentation was discovered showing that the company was already active in 1572, as a Spanish
    map of that date shows bricaría (Spanish for brickworks
    ) in Makkum. In 1689, Freerk Jans a brickmaker, so called tichelaar, bought one half of the works, and then in 1694, the other half. During the eighteenth and nineteenth century, it was mainly dishes for daily use and tiles
    that were made in the clay ovens. Around 1865, the demand for dishes decreased. The brothers Jelmer and Jan started a drastic innovation process, whereby the company could continue as a factory for decorative pottery. Throughout the ages, the company has retained the old working methods, working with locally dug clay that is covered in a white tin
    glaze after the first firing, called the Majolica technique
    . In 1882, the use of plaster moulds was introduced, increasing the assortment of decorative pottery.
    Materials and processes:
    The raw material is yellow or red firing sea clay
    that is abundant in the west of the province of Friesland
    . Tichelaar bought German
    clay but also dug his own clay from the neighbouring countryside, leading to the local word 'afgeticheld' to describe a meadow that had been dug up. The clay was mixed with marl
    in the pottery washing plant and then stored in a cellar to keep it frost-free. Shortly before processing, the clay was thoroughly kneaded and mixed again and then cut to size or punched. After drying, it was baked to biscuit, called raw material, which was then covered in white on the front. On the back, the dishes got a layer of [lead] glaze. After the artists had applied their decoration to the lead glaze, they were fired a second time. Two sorts of glaze were used; one transparent and one usually white covering glaze, called lead glaze and white glaze respectively, which were both prepared in the company. For the decoration, coloured glazes were prepared in the company. They were ground to a fine powder and when mixed with water, they could be used for painting. There were five colours (blue, purple, green, yellow and orange), though in practice it was usually blue and purple that were used.