-40%

1919 PARAMOUNT Pseudonym Mario Brefelli MAX BLOCH Pagliacci Trovatore Anvil 78

$ 3.69

Availability: 100 in stock
  • Return shipping will be paid by: Seller
  • Speed: 78 RPM
  • Genre: Classical
  • Restocking Fee: No
  • All returns accepted: Returns Accepted
  • Style: Anthem
  • Condition: Used
  • Refund will be given as: Money Back
  • Record Size: 10"
  • Sub-Genre: Opera
  • Item must be returned within: 30 Days

    Description

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    Tantalizing NOM DE DISQUE record on acoustic NATIONAL MUSIC LOVERS of New York label connected with EMERSON:
    Here in two great arias : Mario Brefelli which is MAX BLOCH in a great performance of  Pagliacci  Vesti La Giubba Music Lover's Stellar Male Quartet:  Trovatore Anvil Chorus
    Recorded ca. November 1919
    Original Issue: pseudonym for Max Bloch Emerson Records (2) 2033-X
    / Trovatore - prob a Paramount/Regal/ Puritan recording
    on 10 " 78 rpm record.
    Condition:  EXCELLENT minus, unworn light rubs, plays E EXCEPTIONALLY quiet,
    A GREAT COPY
    Max Bloch, born in New York, studied in Berlin and had his debut in 1910 at Komische Oper Berlin, sang at the Berlin Royal Opera, and the MET.
    Bloch, Max, Tenor, * 1882, † 1943 New York; er studierte bei Frau Pockal in Berlin. Er debütierte 1910 an der Berliner Komischen Oper, sang 1911-12 an der Kurfürstenoper Berlin und war 1912-14 am Deutschen Opernhaus Berlin engagiert. 1914 folgte er einem Ruf an die Metropolitan Oper New York (Antrittsrolle: Majordomo im »Rosenkavalier«), der er bis 1918 und dann wieder 1922-30 angehörte. Im allgemeinen sang er an der Metropolitan Oper Rollen für Tenor-Buffo und Comprimario-Partien; dabei galten der David in den »Meistersingern« und der Mime im »Siegfried« als seine Glanzrollen. Er wirkte an der Metropolitan Oper auch in den Uraufführungen der Opern »Madame Sans-Gêne« von Giordano (25.1.1915), »Goyescas« von Granados (28.1.1916) und »The Canterbury Pilgrims« von de Koven (1917) sowie in mehreren Premieren mit. 1926-27 war er während einer Saison am Teatro Colón Buenos Aires tätig, wo er den David in den »Meistersingern« und den Walter von der Vogelweise im »Tannhäuser« sang. 1930 nahm er an der Metropolitan Oper als Heinrich der Schreiber im »Tannhäuser« von der Bühne Abschied. Er war neben seiner Opernkarriere ein angesehener Konzert- und vor allem Liedersänger.
    Er hat sehr viele Schallplatten hinterlassen; diese erschienen bei Edison (darunter Lieder mit Elena Gerhardt), Victor (u.a. Duette mit Edytha Fleischer), Columbia und Emerson.
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